Spike Lee Signs His New Book: Do The Right Thing

Spike Lee: Do The Right Thing

By Spike Lee and Jason Matloff

Book Signing

Thursday, December 16, 7–8:30PM

The powerHouse Arena · 37 Main Street (corner of Water & Main St.) · DUMBO, Brooklyn
For more information, please call 718.666.3049
rsvp: spikelee@powerHouseArena.com

Spike Lee is stopping by The powerHouse Arena to sign copies of Spike Lee: Do The Right Thing, a new book that celebrates the 20th anniversary of the film's seminal debut.

About the book:

Spike Lee: Do The Right Thing is an unprecedented, insider's look at the film, with behind-the-scenes visuals and interviews celebrating the impact of Do The Right Thing on American culture.

Do The Right Thing remains one of the most controversial films of its era. Employing director Spike Lee's hometown of Brooklyn as the essential setting, this explosive film masterfully explores race and class relationships.

Both a critical and popular success, Do The Right Thing became a landmark film that brought serious issues in the African American community to light and established Lee as a major director in American cinema. Lee also wrote the screenplay, produced, and even starred in this deeply personal film, which was applauded for its commanding visuals provided by cinematographer Ernest Dickerson, intense performances by an all-star cast, and an assertive soundtrack featuring Public Enemy's Fight the Power.

The film is even credited with bringing President Barack Obama and the First Lady together on their first date!

About the author:

Spike Lee and his film company, 40 Acres and a Mule, continue to shine the light on controversial subjects through award-winning feature films and documentaries. Lee is also the artistic director of the graduate film program at New York University's Tisch School of the Arts.

There Is a Policeman Inside All Our Heads: He Must Be Destroyed

Date: Friday, December 10, 2010, 8 pm
Location: The New School Theresa Lang Community and Student Center, Arnhold Hall, 2nd Floor, 55 W 13th St, New York

FREE. No RSVP necessary.

A co-presentation with the National Psychological Association for Psychoanalysis & the New School

Cabinet, The National Psychological Association for Psychoanalysis, and the New School present a screening of There Is a Policeman Inside All Our Heads: He Must Be Destroyed and Eight People Sipping Wine in Kettering, parts 3 and 4 of The Century of the Self, the extraordinary BBC documentary on the intertwined histories of Sigmund Freud, modern consumerism, and representative democracy. At its heart is the idea that public relations and politicians have used Freud's theories to engineer a society of consent.

The screening will be preceded by an introduction by George Prochnik, Cabinet contributor and author of Putnam Camp: Sigmund Freud, James Jackson Putnam, and the Purpose of American Psychology (2006) and In Pursuit of Silence: Listening for Meaning in a World of Noise (2010). It will be followed by an open discussion with psychoanalyst Martin Bergmann, who is a participant in the documentary.

Parts one and two of the documentary (Happiness Machine and The Engineering of Consent,) were screened on November 12, with a short introduction by Jane Kupersmidt, faculty at the National Psychological Association for Psychoanalysis and member of the Freudian Society. A transcript of the introduction is available here. The first two parts of the The Century of the Self can be seen online here.

Rumble Ghost: A dance performamce based on Poltergeist

P S 122 presents the WORLD PREMIERE of JACK FERVER’s

RUMBLE GHOST

Wednesday December 8th - Sunday December 12th

8pm with a late show at 10 pm on Saturday December 11th

Tickets $20, $15 (students/seniors), $11 (with the PS122 Passport - limited availability!)

Tickets can be purchased here
or calling 212-352-3101
PS 122 is located at 150 1rst Ave @ E. 9th Street

Rumble Ghost is a psychological dance-play that channels the classic 80s horror film Poltergeist.

"Horror movies will never be as terrifying and shocking as the human psyche. They act as metaphors – scary stories that offer a release or escape from the more devastating twists and turns of an unquiet mind. Without ghosts to explain haunted houses, we are left with the pain sites of crumbling careers, failing marriages, abused children. In Rumble Ghost, as the flimsy membrane between an American horror movie classic and the fragility of the human condition deteriorates, the darkest place in the world is shown to be right up there: in your mind.

Performed in Jack Ferver’s “hyper-reality” style, seven performers reinterpret the 1982 classic horror film Poltergeist, exploring pop-psychological landscapes with movement, original music, and a highly calibrated script. The Poltergeist theme corrodes and gives way to a group therapy session, created from Ferver’s personal experience with “Inner Child Work”, in a therapy technique aptly called: Psychodrama. As the performers are overtaken by their own child selves, a disturbing spectacle confronts the audience and a fearless exploration of the company’s own personae ensues."

Written and Choreographed by Jack Ferver.

Performed by Benjamin Asriel, Reid Bartelme, Christian Coulson, Carlye Eckert, Jack Ferver, Michelle Mola, Breanna O’Mara

Dramaturgy by Joshua Lubin-Levy
Assistant Dramaturgy by Samara Davis
Original Score by Calder Singer
Costumes by Reid Bartelme

Pretty Things: The Last Generation of American Burlesque Queens

Pretty Things: The Last Generation of American Burlesque Queens
By Liz Goldwyn

WHAT: Paperback Launch Party, Reading, and Signing
WHEN: Wednesday, December 8, 7–9PM
WHERE: The powerHouse Arena · 37 Main Street (corner of Water & Main St.) DUMBO, Brooklyn

For more information, please call 718.666.3049
rsvp: rsvp@powerHouseArena.com

Training her journalist's eye on the glitter and glamour of American burlesque's greatest generation, Liz Goldwyn takes readers on an enthralling tour of the original queens of the striptease. Goldwyn's incisive exposé is a retrospective of the sights and spectacles of burlesque's golden age—and an intimate look at the women whose sexuality, ambition, and verve brought the cabaret stage to life. Join us for an exclusive reading and paperback launch party for what V Magazine calls "the most comprehensive study on the era of burlesque."

About the book:

Liz Goldwyn's lifelong fascination with the inimitable glamour of classic burlesque inspired her to spend the past eight years corresponding with, visiting, interviewing, receiving striptease lessons from, and forming close relationships with the last generation of the great American burlesque queens. Goldwyn invites us to step back into an era when the hourglass figure was in vogue and striptease was a true art form.

Pretty Things introduces readers to legendary burlesque icons including:

• Betty "Ball of Fire" Rowland, who was known for her flaming red hair and bump-and-grind routines. (It turns out she once sued the author's grandfather, Samuel Goldwyn Jr., for using her stage name and costume in his Hollywood picture, Ball of Fire.)
• Sherry Britton, who, with her long black hair and curvy, trim physique, was among the most stunning of the burlesque stars before Mayor LaGuardia outlawed burlesque in New York.
• Zorita, whose sexually explicit "Consummation of the Wedding of the Snake" dance (performed with a live snake) and other daring performances earned her legendary status.

With Pretty Things, Goldwyn draws back the curtain to reveal the personal journeys of yesteryear's icons of female sexuality and power, restoring their legacy to an age that has all but forgotten them—despite today's resurgence of burlesque. Drawing from hundreds of archival photographs, costume sketches, newspaper clippings, and mementos that Goldwyn has collected along the way, Pretty Things is at once a feast for the eyes, a history of the art of burlesque, and a lovingly documented story of stardom and self-discovery.

About the Author:

Liz Goldwyn has worked in fashion, art, and photography since the age of sixteen. She has produced major fashion shows and art installations, helped establish the fashion department at Sotheby's New York, and was a global consultant for Shiseido America. She writes feature articles for national magazines, and designs her own collection of jewelry. Her documentary film on burlesque queens, Pretty Things, premiered in July 2005 on HBO. Goldwyn lives in Los Angeles.

DESARROLLAR: A Gallery Exhibition and Solo Performance

[This fascinating exhibition/performance comes via my friend Makram--the fellow in the bit above-- who curated the HOME-LAND show I just did at his space 49B]

DESARROLLAR

by Laura Schwamb and Makram Hamdan

A gallery exhibition and solo performance at Center for Performance Research

A collaboration of visual art and dance, the evening begins with a gallery exhibition of works by Laura Schwamb. Her videos, animated neon, and black and white images set the atmosphere for the performance. Her concept of having a human bridle fabricated was beautifully realized and made possible by Johnny Farah. The exhibition is followed by a solo performance in the main theater by Makram Hamdan. Using the show's theme, conceived by Laura Schwamb, Makram Hamdan engages to push the limits of poetic control, visceral constraint, and physical endurance in a challenging semi-autobiographical performance based on memory.

CPR - Center for Performance Research December 9, 10, and 11. 2010.

Gallery exhibition opens at 7:00pm - Performance begins at 8pm - SHARP

Tickets: $15 - advance purchase recommended - http://www.brownpapertickets.com/event/139506

Directions: 361 Manhattan Avenue, Brooklyn (b/w Jackson St. & Withers St.). L Train to Graham Avenue (3rd Stop in Brooklyn) / Exit right out of turnstile / Left on Graham / Left on Jackson / Right on Manhattan. www.cprnyc.org

General Inquiries (non-press): info@cprnyc.org 718-349-1210


Makram Hamdan (Choreographer and performer) Originally from Lebanon, Makram Hamdan’s emigration to Portland, OR as a teen, initiated his dance training. Subsequently, he graduated from the California Institute of the Arts. Another emigration to France launched his professional dance career, notably with Jean-Claude Gallotta, CCN de Grenoble. While in France, he also began working with Robert Wilson as a performer, then, as choreographer and assistant director both in Europe and at Wilson's Watermill Center in Long Island, NY. With a strong desire to design gardens, he established Makram Hamdan Designs, and began creating grand-scale gardens for private clients. Currently living in Brooklyn's vibrant arts neighborhood of Bushwick, Hamdan founded 49B Studios, an artists' residence loft and exhibition space and recently curated his first exhibition titled HOME-LAND for BETA Spaces 2010 and co-presented with ArteEast. www.makramhamdan.com 49B Studios

Laura Schwamb (Visual Artist) Lives in Bushwick, Brooklyn, New York, where she works in different media centered around the day-to-day psychological moments of the experience of being alive, balancing between the physical and the spiritual and the transitions of being and becoming. www.lauraschwamb.blogspot.com

Johnny Farah (Leather Goods Designer) Johnny Farah's early influences came from Copenhagen. Living there in the 70’s, he developed a particular interest in the simplicity and practicality of the Scandinavian architecture and furniture design, more specifically in the way different materials like concrete, iron, wood or leather were put to their full formal and functional potential. Following Johnny’s life-changing encounter with architects Arne Jacobson and Hans Wegner, he decided to concentrate on his leather designs, which, up until then, were only a means to support his studies. Johnny Farah has since become a global brand. www.johnnyfarah.com

Fire in My Belly by David Wojnarowicz, Censored at the Smithsonian

Fire in My Belly, David Wojnarowicz (1987)

Music by Diamanda Galas

David Wojnarowicz (1954-1992) was a painter, writer, filmmaker and performance artist who died of AIDS-related complications in 1992 at 37. In 1990 he won an important lawsuit against conservative Christian Donald Wildmon's American Family Association, who'd appropriated some of his work for one its tracts. The judgment read, in part,

[David Wojnarowicz] earns his living by selling his art works, many of which are assertedly directed at bringing attention to the devastation wrought upon the homosexual community by the AIDS epidemic. Plaintiff attempts through his work to expose what he views as the failure of the United States government and public to confront the AIDS epidemic in any meaningful way. To this end, plaintiff's art at times incorporates sexually explicit images for the avowed purpose of shaping community attitudes towards sexuality. As a result, his works have been the subject of controversy and public debate concerning government funding of non-traditional art.

[...] On or about April 12, 1990, the AFA and Wildmon published and distributed throughout the United States, including the Southern District of New York, the AFA pamphlet (the "pamphlet") in an effort to stop public funding by the NEA of art works such as plaintiff's. The pamphlet was mailed to 523 members of Congress, 3,230 Christian leaders, 947 Christian radio stations and 1,578 newspapers, at least twenty-eight of which were located in this district. Without plaintiff's authorization, Wildmon photographically copied fourteen fragments of plaintiff's works which he believed most offensive to the public and reproduced these fragments in the AFA pamphlet. These fourteen images, with three exceptions, explicitly depict sexual acts. The other three images portray Christ with a hypodermic needle inserted in his arm, and two ambiguous scenes which plaintiff represents as respectively depicting an African purification ritual and two men dancing together.

Wildmon wrote the text of the pamphlet, which is entitled "Your Tax Dollars Helped Pay For These `Works of Art.'" It states in the introductory sentence that "the photographs appearing on this sheet were part of the David Wajnarowicz [sic] 'Tongues of Flame' exhibit catalog." The envelope in which the AFA pamphlet was mailed states that the "[p]hotos enclosed in this envelope were taken from the catalog of the `Tongues of Flame' exhibit" and is marked "Caution — Contains Extremely Offensive Material."

Wojnarowicz only received a dollar when he won the suit, but he succeeded in preventing Wildmon from distributing altered images of his artwork for his hate campaign--and won a rare victory in the early years of the culture wars.

Untitled (1990), David Wojnarowicz
(in collaboration with Phil Zwickler and Rosa von Praunheim)
still from the film "Silence = Death"

Eighteen years after his death Wojnarowicz's art is still disturbing Christian conservatives, who are still arguing that taxpayer money should not support it, only this time he isn't winning... His video Fire in My Belly (1987) appeared in the National Portrait Gallery show Hide/Seek: Difference and Desire in American Portraiture until it was removed on November 30th. It had been on display since the show opened a month earlier but objections to an image of ants crawling on a plastic crucifix in it's first few seconds led by Catholic League President William Donohue, who called the video "vile... hate speech," impelled the Smithsonian to remove it from display. The office of Rep. John Boehner (R-Ohio), the presumptive incoming speaker of the House also issued a statement that read, "American families have a right to expect better from recipients of taxpayer funds in a tough economy. While the amount of money involved may be small, it's symbolic of the arrogance Washington routinely applies to thousands of spending decisions involving Americans' hard-earned money." (As part of the Smithsonian the National Gallery receives public funds.) These are shockingly similar to the attacks Wojnarowicz withstood when he was alive and using his art to shock an apathetic public into acknowledging the human cost of the AIDS crisis that ultimately ended his life. The fact that they are still being made is not that shocking considering the enormous percentage of loud, stupid D-bags swarming all over public life in this country like ants on a dropped popsicle. What is shocking is that they still work.

The fact that this happened the day before World AIDS Day is a sickening reminder of how little ground has been gained. The video, which attempts to represent the physical and emotional pain caused by AIDS, is primitive by today's standards. But the punk, DIY quality of it is a visceral reminder that it is a time capsule from 1987, when brilliant artists like David Wojnarowicz were getting sick and dying so, so young. Watch Fire in My Belly above and give it a minute. If you suspend your 21st century cynicism and let the historical context reach you, you may have a brief echo of what it was like to work in the arts then and watch helplessly as people you cared about died all around you for no reason, while the President blithely ignored the crisis.

UPDATE:

Diamanda Galás Responds to the Smithsonian’s Removal of David Wojnarowicz’s Work:

Diamanda Galás, the composer and performer of the This is the Law of the Plague (1986), which is the soundtrack to part of Wojnarowicz's Fire in My Belly responded to its removal from the Hide/Seek exhibition by the Smithsonian. She writes,

The cross is a symbol of the CRUCIFIXION, among the cruelest tortures in the world. This is the sentence of slow and horrific death in which the spinal column breaks and the organs rupture. This is the torture for the worst of outlaws – the man who protested that the sick and the poor were not allowed into the church for the crime of being perceived as UNCLEAN, rather than "pristine," and moneyed for his advocacy that the church BE a sanctuary to the sick, rather than a citadel for the rich family man, who comes to exchange invitations for tea and other such serious matters with OTHER rich family men.

David Wojnarowicz was a great artist who died a terrible death in 1992. It was one of the worst times in this country for people with AIDS. My brother, Philip-Dimitri Galas, died six years before him in 1986 of the same disease in San Diego. THERE WAS NO HOPE WHATSEOVER THEN FOR THIS DISEASE.

So what is so shocking about the truth now in 2010? Does it remind the clergy and the lawmakers of what the cross stands for: PUNISHMENT AND SAVAGE CRUELTY, and make ugly with the NICE and FRIENDLY WARM xmas spirit?

WHO in countries other than our own are dying horrific death of AIDS this Christmas? Christmas comes but once a year.

AND YOUR LIFE? It comes to you but once.

Diamanda Galás
NYC, Dec 2 2010

Eric Lott : A l'assaut du ciel! : Deturning the Twin Towers : August 1974

Eric Lott : A l'assaut du ciel! : Deturning the Twin Towers : August 1974

Wednesday, December 8 · 7:00pm - 9:00pm
721 Broadway, 6th Floor, Room 612

In August 1974, French street performer Philippe Petit made an illegal high-wire walk between the tops of the World Trade Center's newly completed Twin Towers. Petit's response to the Haussmanization of lower Manhattan is a classic Situationist "detournement": not explicitly political, it intervenes in the urban psychogeography of everyday life to reinvent not just the space between the towers but also spatial relations on the ground.

Eric Lott teaches American Studies at the University of Virginia. He has written and lectured widely on the politics of U.S. cultural history. He is currently finishing a study of race and culture in the twentieth century entitled "Tangled Up in Blue: The Cultural Contradictions of American Racism."

http://www.facebook.com/Performance.studies.nyu?v=app_2344061033&ref=ts#!/event.php?eid=144029322313586&index=1