Showing posts with label Upcoming. Show all posts
Showing posts with label Upcoming. Show all posts

Saturday, July 30, 2011

Moving to WordPress


Dear Readers,
I am in the process of migrating my long(er) form blogging to WordPress. It's complicated but I'm trying to archive the contents of this blog--including your intelligent comments--at my new spot. As soon as I'm up and running I will let you know and redirect you there. In the mean time please visit my Tumblog at www.vsthepomegranate.tumblr.com.

For what it's worth I like Tumblr a lot... but it's primarily a visual experience for me. I almost never want to read long blocks of text there so it has discouraged me form writing anything too in-depth, which the reason I began blogging in the first place. That, along with the ease of re-posting, encourages me to pass along already existing photos and smaller chunks of text or links at my Tumblog. I'll still be doing that but with everything that is happening in the world I want to do more.

The move to WordPress is meant to blow the dust off (Blogger looks really old-fashioned post-Tumblr, I think) and provide a space to explore the things that interest me in more detail.

More soon.

Friday, January 14, 2011

Woven with Her Brush: Paintings by Zohra Ben Hamida

Woven with Her Brush:
Paintings by Zohra Ben Hamida
At the Jerusalem Fund Gallery
21 January - 4 March 2011

Opening reception
Friday, 21 January 2011, 6:00 -8:00 p.m.


In her paintings at The Jerusalem Fund Gallery, color is the theme. “ The blazing sun straddling the cool shades over the desert in Saudi Arabia, memories of the bright garments adorned with gold and silver fibulae my Berber grandmother always wore with such pride; colors encountered every day, the colors of the bougainvillea and jasmine, indiscriminately lending their beauty and fragrance to modest and luxurious houses alike; a bigger than life icon inhabiting a Roman church for hundreds of years, still calling attention to itself with its dazzling gold-leaf garment, bright colors, sprinkled everywhere you look, reminding us that beauty exists around and within us, reminding us that beauty will always prevail.”

Where
The Gallery
2425 Virginia Ave, NW

Washington, DC 20037
202.338.1958

Map
click here

When
Jan 21 6:00 pm - 8:00 pm

Wednesday, January 5, 2011

Radiohole presents: Whatever, Heaven Allows (WHA?!)


Radiohole returns to Brooklyn to present:

Whatever, Heaven Allows (WHA?!)

at The Collapsable Hole
146 Metropolitan Ave
Brooklyn, NY 11211
718-388-2251

January 8-10 (Sat-Mon) @ 8pm
January 12-15 (Wed-Sat) @ 8pm
January 17 (Mon) Benefit Show @ 7:30pm

Tickets: $20, $15 students/seniors
Reservations: radiohole@gmail.com or 718-388-2251

Whatever, Heaven Allows is by Radiohole with Eric Dyer, Erin Douglass, Maggie Hoffman, Joseph Silovsky and Mark Jaynes
film & video by: Aaron Harrow & Radiohole

"Whatever, Heaven Allows is Radiohole's monster mash-up of Douglas Sirk's 1955 box office smash "All that Heaven Allows" (staring Rock Hudson and Jane Wyman), and John Milton's hit 1667 poem "Paradise Lost" featuring history's most famous fallen hero, Satan.

GET AN AD IN THE SHOW
Purchase an AD or SHOUT-OUT that runs during Whatever, Heaven Allows

COME TO THE BENEFIT SHOW and/or PARTY MONDAY, JANUARY 17th
Hosted by: The Amazing RUSSELLO and special guests Richard Maxwell and the NYC Players Band with Scott Shepherd on Ukulele!

------------------------------------------------

Whatever, Heaven Allows (WHA!?) was commissioned by and performed at The Walker Art Center, The Andy Warhol Museum and PS122. It was also made possible with a matching grant from the National Performance Network's Creation Fund, the New York State Council on the Arts and the New York City Department of Cultural Affiars

Whatever, Heaven Allows is presented in association with Performance Space 122 as part of COIL - an annual winter festival of contemporary performance featuring hits from the past, present and future seasons of Performance Space 122. www.ps122.org.

Monday, December 13, 2010

Spike Lee Signs His New Book: Do The Right Thing


Spike Lee: Do The Right Thing


By Spike Lee and Jason Matloff

Book Signing

Thursday, December 16, 7–8:30PM

The powerHouse Arena · 37 Main Street (corner of Water & Main St.) · DUMBO, Brooklyn
For more information, please call 718.666.3049
rsvp: spikelee@powerHouseArena.com

Spike Lee is stopping by The powerHouse Arena to sign copies of Spike Lee: Do The Right Thing, a new book that celebrates the 20th anniversary of the film's seminal debut.

About the book:

Spike Lee: Do The Right Thing is an unprecedented, insider's look at the film, with behind-the-scenes visuals and interviews celebrating the impact of Do The Right Thing on American culture.

Do The Right Thing remains one of the most controversial films of its era. Employing director Spike Lee's hometown of Brooklyn as the essential setting, this explosive film masterfully explores race and class relationships.

Both a critical and popular success, Do The Right Thing became a landmark film that brought serious issues in the African American community to light and established Lee as a major director in American cinema. Lee also wrote the screenplay, produced, and even starred in this deeply personal film, which was applauded for its commanding visuals provided by cinematographer Ernest Dickerson, intense performances by an all-star cast, and an assertive soundtrack featuring Public Enemy's Fight the Power.

The film is even credited with bringing President Barack Obama and the First Lady together on their first date!

About the author:

Spike Lee and his film company, 40 Acres and a Mule, continue to shine the light on controversial subjects through award-winning feature films and documentaries. Lee is also the artistic director of the graduate film program at New York University's Tisch School of the Arts.

Tuesday, December 7, 2010

There Is a Policeman Inside All Our Heads: He Must Be Destroyed


Date: Friday, December 10, 2010, 8 pm
Location: The New School Theresa Lang Community and Student Center, Arnhold Hall, 2nd Floor, 55 W 13th St, New York

FREE. No RSVP necessary.

A co-presentation with the National Psychological Association for Psychoanalysis & the New School

Cabinet, The National Psychological Association for Psychoanalysis, and the New School present a screening of There Is a Policeman Inside All Our Heads: He Must Be Destroyed and Eight People Sipping Wine in Kettering, parts 3 and 4 of The Century of the Self, the extraordinary BBC documentary on the intertwined histories of Sigmund Freud, modern consumerism, and representative democracy. At its heart is the idea that public relations and politicians have used Freud's theories to engineer a society of consent.

The screening will be preceded by an introduction by George Prochnik, Cabinet contributor and author of Putnam Camp: Sigmund Freud, James Jackson Putnam, and the Purpose of American Psychology (2006) and In Pursuit of Silence: Listening for Meaning in a World of Noise (2010). It will be followed by an open discussion with psychoanalyst Martin Bergmann, who is a participant in the documentary.

Parts one and two of the documentary (Happiness Machine and The Engineering of Consent,) were screened on November 12, with a short introduction by Jane Kupersmidt, faculty at the National Psychological Association for Psychoanalysis and member of the Freudian Society. A transcript of the introduction is available here. The first two parts of the The Century of the Self can be seen online here.

Monday, December 6, 2010

Rumble Ghost: A dance performamce based on Poltergeist


P S 122 presents the WORLD PREMIERE of JACK FERVER’s

RUMBLE GHOST

Wednesday December 8th - Sunday December 12th

8pm with a late show at 10 pm on Saturday December 11th

Tickets $20, $15 (students/seniors), $11 (with the PS122 Passport - limited availability!)

Tickets can be purchased here
or calling 212-352-3101
PS 122 is located at 150 1rst Ave @ E. 9th Street

Rumble Ghost is a psychological dance-play that channels the classic 80s horror film Poltergeist.

"Horror movies will never be as terrifying and shocking as the human psyche. They act as metaphors – scary stories that offer a release or escape from the more devastating twists and turns of an unquiet mind. Without ghosts to explain haunted houses, we are left with the pain sites of crumbling careers, failing marriages, abused children. In Rumble Ghost, as the flimsy membrane between an American horror movie classic and the fragility of the human condition deteriorates, the darkest place in the world is shown to be right up there: in your mind.

Performed in Jack Ferver’s “hyper-reality” style, seven performers reinterpret the 1982 classic horror film Poltergeist, exploring pop-psychological landscapes with movement, original music, and a highly calibrated script. The Poltergeist theme corrodes and gives way to a group therapy session, created from Ferver’s personal experience with “Inner Child Work”, in a therapy technique aptly called: Psychodrama. As the performers are overtaken by their own child selves, a disturbing spectacle confronts the audience and a fearless exploration of the company’s own personae ensues."

Written and Choreographed by Jack Ferver.

Performed by Benjamin Asriel, Reid Bartelme, Christian Coulson, Carlye Eckert, Jack Ferver, Michelle Mola, Breanna O’Mara

Dramaturgy by Joshua Lubin-Levy
Assistant Dramaturgy by Samara Davis
Original Score by Calder Singer
Costumes by Reid Bartelme

Saturday, December 4, 2010

DESARROLLAR: A Gallery Exhibition and Solo Performance

[This fascinating exhibition/performance comes via my friend Makram--the fellow in the bit above-- who curated the HOME-LAND show I just did at his space 49B]

DESARROLLAR


by Laura Schwamb and Makram Hamdan

A gallery exhibition and solo performance at Center for Performance Research

A collaboration of visual art and dance, the evening begins with a gallery exhibition of works by Laura Schwamb. Her videos, animated neon, and black and white images set the atmosphere for the performance. Her concept of having a human bridle fabricated was beautifully realized and made possible by Johnny Farah. The exhibition is followed by a solo performance in the main theater by Makram Hamdan. Using the show's theme, conceived by Laura Schwamb, Makram Hamdan engages to push the limits of poetic control, visceral constraint, and physical endurance in a challenging semi-autobiographical performance based on memory.

CPR - Center for Performance Research December 9, 10, and 11. 2010.

Gallery exhibition opens at 7:00pm - Performance begins at 8pm - SHARP

Tickets: $15 - advance purchase recommended - http://www.brownpapertickets.com/event/139506

Directions: 361 Manhattan Avenue, Brooklyn (b/w Jackson St. & Withers St.). L Train to Graham Avenue (3rd Stop in Brooklyn) / Exit right out of turnstile / Left on Graham / Left on Jackson / Right on Manhattan. www.cprnyc.org

General Inquiries (non-press): info@cprnyc.org 718-349-1210


Makram Hamdan (Choreographer and performer) Originally from Lebanon, Makram Hamdan’s emigration to Portland, OR as a teen, initiated his dance training. Subsequently, he graduated from the California Institute of the Arts. Another emigration to France launched his professional dance career, notably with Jean-Claude Gallotta, CCN de Grenoble. While in France, he also began working with Robert Wilson as a performer, then, as choreographer and assistant director both in Europe and at Wilson's Watermill Center in Long Island, NY. With a strong desire to design gardens, he established Makram Hamdan Designs, and began creating grand-scale gardens for private clients. Currently living in Brooklyn's vibrant arts neighborhood of Bushwick, Hamdan founded 49B Studios, an artists' residence loft and exhibition space and recently curated his first exhibition titled HOME-LAND for BETA Spaces 2010 and co-presented with ArteEast. www.makramhamdan.com 49B Studios

Laura Schwamb (Visual Artist) Lives in Bushwick, Brooklyn, New York, where she works in different media centered around the day-to-day psychological moments of the experience of being alive, balancing between the physical and the spiritual and the transitions of being and becoming. www.lauraschwamb.blogspot.com

Johnny Farah (Leather Goods Designer) Johnny Farah's early influences came from Copenhagen. Living there in the 70’s, he developed a particular interest in the simplicity and practicality of the Scandinavian architecture and furniture design, more specifically in the way different materials like concrete, iron, wood or leather were put to their full formal and functional potential. Following Johnny’s life-changing encounter with architects Arne Jacobson and Hans Wegner, he decided to concentrate on his leather designs, which, up until then, were only a means to support his studies. Johnny Farah has since become a global brand. www.johnnyfarah.com

Friday, March 19, 2010

Three Good Wives


Three Good Wives


16th Mar–28th Mar 2010

Dates & Times
Tues 16 – Sun 28 March (not 22 or 23), 8pm (4pm Sundays, 7pm Fri 26 Mar)

Tickets
£10 / £8 conc (£5 previews Tues 16 & Wed 17)

Little Angel Theatre
14 Dagmar Passage
Off Cross Street
Islington
N1 2DN

An original puppet theater piece that investigates the core themes of waiting, mourning, and healing. These themes are explored through the lens of contemporary US and UK military wives' stories and mytho-historic heroines: Penelope from Homer's Odyssey, Mandodari from the Ramayana, and Scheherazade from The Arabian Nights. The production is inspired by the stories of 21st Century women whose lives have been affected by war. It draws from personal accounts, news and radio stories as well as online social media.

Three Good Wives is a collaborative project developed the performers. Puppet and scenic design by Michael Kelly, sound design by Joemca, and direction by Alissa Mello.

There will be a post-show Q&A with the director on Wed 24 March.
"This production should be seen by all who love theater, science and peace."
- Larry Litt, NY Theatre Wire review of Inkfish's THE BRAIN

This project is made in association with The Little Angel Theatre and is funded in part by a grant from The Jerome Foundation with additional support from The Centre for Excellence in Training for Theatre, The Puppet Center Trust, Battersea Arts Centre, The Pleasance Theatre Islington, and Royal Holloway Department of Drama and Theatre, University of London. Inkfish has been awarded grants from The Jim Henson Foundation, and The Puffin Foundation.

Thursday, March 18, 2010

2-DAY INTENSIVE WORKSHOP WITH ANDREA PAGNES AND VERENA STENKE

Speak that I can see you (2009) Andrea Pagnes and Verena Stenke


2-DAY INTENSIVE WORKSHOP WITH ANDREA PAGNES AND VERENA STENKE
[ITALY / GERMANY]

www.vest-and-page.de

"FRAGILE LIMITS - INTENSIVE PERFORMANCE ART WORKSHOP"

SATURDAY, MARCH 20 - SUNDAY, MARCH 21
12:00 PM - 8:00 PM
~ FREE! ~ 1st 10 people accepted

This workshop will be free of charge

2-day intensive workshop in Performance Art practice
with Verena Stenke and Andrea Pagnes

to register email: gracexhibitionspace@yahoo

“Never as Always. Now as Always. Here and now. Where I am, I do not know it, I will never know it. In the silence, you don’t know it, you must go on and, even if I can’t, I’ll go”
Samuel Beckett

FRAGILE LIMITS WORKSHOP

Tired of looking at things from an usual and obsolete perspective, with few friends, full of memories and remembrances, with a no-limits imagination, pathological, perverted, deprived, deviant, surreal, overwhelmed and overruled by daily prosaic worries and ordinary thoughts, being still beautiful, in a constant journey towards new productions, slowly moving to an end, living into an irreversible crisis, always clutched by doubts, sometimes radiant, other times miserable, feeling to be stuck for an answer, when where is a nowhere or somewhere else, with at least a hope in our hearts, looking at a feeble response, our fragile constituent limits- we invite people to gather together those left things they really care, to share them with us and the others.


THE AIMS OF THE FRAGILE LIMITS WORKSHOP ARE:

To investigate- to look for and find out new, unexpected possibilities to strengthen the process of making. To see - to indicate how to look at things from a different – still responsible – perspective.

To stimulate- to help to touch and overcome personal fragile limits.

To experience and express- to transform one self’s ideas and emotions into a performatic, not theatrical, work throughout different exercises.

To give- to offer keys to understand how a performance artist can approach the social environment and the spiritual development, by touching the fragile limits of one’s own Self- those limits that are not limiting at all, but rather purely constituent of one’s own human nature.

During the various exercises, in different conditions, the participants will be provided with tools to gradually conceive, create and realize a performance, using mainly their own bodies and memories as tools themselves.

The exercises are aimed to touch and develop the most inner human sensors in order to activate memories, to open our perception and to transform pure ideas into a concrete, primarily real action. Further, a specific goal is also to get distance from the mere being “virtuous” by establishing, valuating, and energizing the personal action.


IT IS REQUIRED TO BRING:

- Comfortable clothes
- One object the participant feels related to (second day)
- One blanket and one cushion (second day)

Actions and exercises are innovative but inspired by Social Theatre, Grotowski, Barba, Leclerc, Dynamic Breathing and Re-Birthing Technique, Martial Arts, Sufi, Panic Theatre / Psycomagic (Jodorowski), Strasberg, Oida and others.

Body & Space / Time & Duration / Tension & Release / Voice & Sound / Emotional Atmosphere / Interactivity / Breath / Archetypes / Rituality / Memory activation / Observation of the silence.


ABOUT THE ARTISTS:

Since 2006 Andrea Pagnes and Verena Stenke work together as VestAndPage.

Combining and crossing their former ways of expressions, - including techniques of make-up artistry, video, installation, poetry and sound - they found within Performance Art the perfect common ground to talk about topics they concern. They wish to arrive with the spectators to an intimate and sensorial shifting of reality and time, touching most inner human sensors.

Their performances and video works are presented at international festivals, exhibitions and encounters in Europe, Asia, South America and the U.S., among which the XIV Biennial BJCEM Skopje 2009, Visions In New York City, Zonadearte Buenos Aires, OPEN ’09 Festival Beijing, PIPAF Manila, Galata Perform Istanbul, Neu Kunsthalle Berlin, Kunsthaus Tacheles Berlin, Art Accion Mexico, Epipiderme Lisbon, LOGE Gallery Berlin, ArtKontakt Albania, Muliqui Prize Kosovo, 53° Venice Biennale, Arte Communications Venice, MyMementoVid Tel Aviv, and others as Human Emotion Project and Transit Station.

They perform, lecture and give workshops in international venues as the Bitef Teatar (Belgrade), Fabrica Braco de Prata (Lisbon), University La Salette (Santiago-Philippines), Momap (Florence), Deutsches Institute (Florence).

Andrea Pagnes and Verena Stenke www.vest-and-page.de

GRACE EXHIBITION SPACE
840 BROADWAY, 2nd Floor - Brooklyn
(646) 578-3402
gracexhibitionspace@yahoo.com
www.grace-exhibition-space.com

DIRECTIONS:
J-M-Z train to Flushing or Myrtle
& walk 3 blocks east from Flushing,
or 3 blocks west from Myrtle
to
#840 Broadway, 2nd Floor (btwn. Ellery St. & Park Ave.)
entrance left of liquor store - ring top buzzer
call for more directions: (646) 578-3402


"Our mission is the glorification of performance art."

Friday, January 22, 2010

Screening and Discussion: A Road to Mecca: The Journey of Muhammad Asad. Discussion with Talal Asad and Joseph Massad


Screening and Discussion: A Road to Mecca: The Journey of Muhammad Asad. Discussion with Talal Asad and Joseph Massad

Wed, January 27, 2010 7:00 pm at Alwan for the Arts

Georg Misch Austria, 2009, 92 minutes, Color, Digital

Free and Open to the Public

In the early 1920s Leopold Weiss, a Viennese Jew, alienated by the materialism and spiritual emptiness of the West, travelled to the Middle East, visiting Jerusalem, Egypt, the Transjordan and Saudi Arabia. After studying the Koran, he left his Jewish roots behind, converted to Islam and changed his name to Muhammad Asad.

Asad (1900-1992) became one of the most important Muslims of the 20th century, spreading its message of peace and brotherhood as a journalist and author of books such as Islam at the Crossroads, The Principles of State and Government in Islam and his autobiography, The Road to Mecca. He served as an advisor to the royal court of Saudi Arabia and was a co-founder of Pakistan and its Ambassador to the UN.

A ROAD TO MECCA traces his spiritual journey, from the Arabian desert to Ground Zero, visiting the places where Asad lived and travelled. Archival footage and photos and excerpts from Asad's writings are blended with contemporary interviews with writers, historians, scholars, and his friends and associates, revealing Asad's legacy as a modern theological thinker.

In portraying the lifelong evolution of the philosophy of Muhammad Asad, who sought to be a mediator between East and West, A ROAD TO MECCA provides a portrait of contemporary Islam, challenging deeply rooted Western prejudices by revealing the distance between fundamentalist beliefs that support terrorism and the core beliefs of a profoundly humane religion.

“Fascinating... the film presents different viewpoints from a moderate middle ground to fundamentalist takes on the larger conflict in the Middle East... The history of Asad and his mental and physical journey are used to give the viewer a new insight into the current attitude and understanding of religion.” —Cecilie Bolvinkel, Dox Magazine



Talal Asad, son of Mohammed Asad, is Distinguished Professor of Anthropology at the Graduate Center of the City University of New York. His publications include On Suicide Bombing (Columbia University Press, 2007), Formations of the Secular (Stanford University Press, 2003), Genealogies of Religion (Johns Hopkins University Press, 1993), and a number of influential articles, including “On Re-reading a Modern Classic: W.C. Smith's The Meaning and End of Religion,” History of Religions (2001). Asad is a member of the SSRC working group on religion, secularism, and international affairs.

Joseph A. Massad is associate professor of modern Arab politics and intellectual history at Columbia University. He is the author of Colonial Effects: The Making of National Identity in Jordan; The Persistence of the Palestinian Question: Essays on Zionism and the Palestinians and Desiring Arabs.

"Fascinating... informative... a well-judged combo of travelogue and biopic... a fine piece of anthropology, worthy of the dedication it copies from Asad's translation of the Koran: 'For people who think.'"—Alissa Simon, Variety



"Lively, entertaining and very topical. A most astounding perspective on multicultural identities."—Der Falter

"A tactful and astute portrait."—Kleine Zeitung

Alwan for the Arts

16 Beaver Street (between Broad and Broadway), 4th floor,
New York, NY 10004
(646) 732-3261

Thursday, January 21, 2010

Tonight: A Report from Gaza & the West Bank The Gaza Freedom March and Beyond

Gaza Swimming Pool by Latuff

Tonight: A Report from Gaza & the West Bank The Gaza Freedom March and Beyond

Date: Thursday, January 21st, 2010 at 6:30pm
Location: Judson Memorial Church
Address: 55 Washington Square South, NY, NY 10012
(http://maps.google.com/maps?f=q&hl=en&q=55+Washington+Square+S,+New+York,+NY)

Speakers:
Ali Abunimah - co-founder Electronic Intifada: The Gaza Freedom March and Beyond
Michael Ratner - president Center for Constitutional Rights: Report from Cairo and the West Bank
Fida Qishta - journalist and filmmaker from Gaza
Jenna Bitar - student Hunter College H.S.: A Student Perspective

Admission at the door $10, Students $5 - none turned away

For more information call 917-912-2597 or 212-979-1381

Sponsors: Gaza Freedom March, Adalah-NY, Brooklyn for Peace, Codepink, Committee for the Open Discussion of Zionism, Jews Say No, Jewish Voice for Peace, Middle East Crisis Response, Wespac Tomorrow, January 22nd Ali Abunimah Speaks on: Global Grassroots Activism & the Gaza Freedom March

Tomorrow Night: 1300 People, 43 countries, 1 aim: Lift the Siege on Gaza

Date: Friday, January 22nd, 2010 at 2:15pm
Location: Earl Hall Auditorium (2nd Floor), Columbia University
Address: 2980 Broadway, NY, NY 10127
RSVP: recommended via Facebook: http://www.facebook.com/event.php?eid=256061418577&ref=mf

Ali Abunimah, author of “One Country: A Bold Proposal to End the Israeli-Palestinian Impasse” and co-founder of the Electronic Intifada (EI), which is one of the primary news media resources that offers sound analysis and refreshing perspective on the Israel-Palestine conflict, will speak on his experience on the March, grassroots activism, and the current state of the "peace process."

ABOUT the Gaza Freedom March (GFM):

The Global grassroots initiative inspired by Gandhi/Mandela aims to break the blockade of Gaza.

The Gaza Freedom March that will take place in Gaza on December 31 is an historic initiative to break the siege that has imprisoned the 1.5 million people who live there. Conceived in the spirit of Mahatma Gandhi, Nelson Mandela and nonviolent resistance to injustice worldwide, the march will gather people from all over the world to march—hand in hand—with the people of Gaza to demand that the Israelis open the borders.

Marking the one-year anniversary of the December 2008 Israeli invasion that left over 1,400 dead, this is a grassroots global response to the inaction on the part of world leaders and institutions. Over 1,000 international delegates from 42 countries have already signed up and more are signing on every day. Participants include Pulitzer Prize winning author Alice Walker, leading Syrian comedian Duraid Lahham, French Senator Alima Boumediene–Thiery, author and Filipino Parliament member Walden Bello, former vice president of European Parliament Luisa Morgantini from Italy, President of the U.S. Center for Constitutional Rights Attorney Michael Ratner, Japanese former Ambassador to Lebanon Naoto Amaki, French hip-hop artists Ministere des Affaires Populaires, and 85-year-old Holocaust survivor Hedy Epstein.

Also marching were families of three generations; doctors; lawyers; diplomats; 70 students; an interfaith group that includes rabbis, priests and imams; a women's delegation; a veterans group; and Palestinians born overseas who have never seen their families in Gaza.

This event is sponsored by the Arab Student Association at SIPA, TURATH, Adalah-NY, Codepink, MSA and the Grassroots Policy Network.

Co-sponsored by the Columbia Coalition Against War, Students for a Democratic Society, ISO, and Al-Awda NY.

Visit us on line at www.adalahny.org

Sunday, January 17, 2010

Downtown Pix: Mining the Fales Archives, 1961–1991

David Wojnarowicz, Untitled, from the series Rimbaud in New York, 1977-79
Gelatin silver print. David Wojnarowicz Papers

Downtown Pix: Mining the Fales Archives, 1961–1991
On view: January 12 – April 3, 2010

New York City (November 13, 2009)—Jointly organized by New York University’s Grey Art Gallery and Fales Library, NYU’s repository of rare books and manuscripts, Downtown Pix: Mining the Fales Archives, 1961–1991 features over 300 photographs and other printed materials from Fales’s pioneering Downtown Collection. On view at the Grey Art Gallery from January 12 to April 3, 2010, the exhibition is drawn from the papers of artists, writers, poets, and arts organizations that comprise this important archive. The images presented in Downtown Pix create a rich photo-graphic portrait of the creative practices and social protests that defined the Downtown scene as it evolved over the course of three tumultuous decades.

For successive generations of New York artists, “Downtown” has signaled a state of mind as much as a geographic location. The artists, playwrights, choreographers, and political activists who called Downtown home built a lively community that fostered aesthetic experimentation and countercultural rebellion. Downtown Pix focuses on the central role played by photographers in capturing the vital but ephemeral practices of a diverse range of artists. Following in the footsteps of the Grey’s landmark 2006 Downtown Show, Downtown Pix maps a multifaceted cultural scene whose influence on the arts is still felt today.

As critic and guest curator Philip Gefter observes, “The photographs in Downtown Pix register not so much as moments frozen in time as paused frames from a live-action film. This is due, in part, to the kinetic energy of the period—the live performances in loft spaces that encouraged audience participation, the scene’s irreverence and experimentation, as well as a sexual charge that served as a live wire of social behavior—at least until the arrival of AIDS. Downtown Pix provides a photographic chronicle of the period when formal conventions were abandoned with a kind of nose-thumbing glee. And, for a period of time, photography itself became more authentic, more animated, and more fun.”

The exhibition includes work by renowned artists such as David Wojnarowicz, Nan Goldin, Jimmy DeSana, and Andy Warhol. Three photographs by Robert Mapplethorpe, recently acquired as joint gifts to the Grey Art Gallery and Fales Library, will also be on display. Equally important to Downtown Pix are the works by photojournalists who reflected the scene as it developed. Fred W. McDarrah’s images of Greenwich Village’s Gay Pride Parade for the Village Voice document the annual event’s evolution. Robert Alexander’s iconic images of dancers, commissioned by the Soho Weekly News, appear alongside examples from his fine-art practice. Snapshots found among artists’ personal papers point to photography’s role in documenting private obsessions and capturing everyday beauty. Poet David Trinidad is represented by more than 40 color photos of miniature tableaux he made featuring his extensive collection of Barbie dolls and accessories. Martin Wong’s images of derelict cityscapes, made as source material for his paintings, offer a glimpse into the artist’s creative process. Whether records of performances, portraits of friends and lovers, or one-off experiments, the photographs in Downtown Pix blur the distinctions between fine-art photography, photojournalism, and amateur snapshots.

Downtown Pix focuses on the intergenerational dialogues and cross-disciplinary resonances that emerge from the archives’ sprawling logic. Photographs of Richard Hell’s concerts at CBGB, Richard Foreman’s experimental plays with the Ontological-Hysteric Theater company, Mabou Mines’s multimedia performances, the happenings at Judson Church, including Carolee Schneemann’s Meat Joy performance, and the installations at Creative Time’s Art on the Beach seriesmark explosive intersections of punk rock, art, dance, and drama. Lynn Gumpert, director of the Grey Art Gallery notes: “The photographs not only document seminal cultural practices, but also survey the vast ecology of artistic subcultures that flourished Downtown.”

Since 1994, when director Marvin J. Taylor founded Fales Library’s Downtown Collection, it has grown substantially to include over 12,000 printed items and 10,000 linear feet of archives. Taking a broad, inclusive approach, the Downtown Collection aims to document the entire scene rather than highlighting individual artists or groups. Among the invaluable materials Fales has acquired, and which are highlighted in Downtown Pix,are the archives of Fashion Moda and the papers of Andrea Callard, co-founder of the artists’ collective Colab. “To truly understand the climate in which key Downtown works were made,” Taylor writes, “requires an archive documenting the culture. All media are included: paper, film, video, and approximately 5,000 photographs from which the images in Downtown Pix were selected.”

The breadth of Fales’s Downtown Collection thus allows for individual artists, writers, and performers as well as collective groups to be situated within broader cultural and social contexts. Each photograph bears the indelible trace of its moment: from the pervasive sense of possibility of the 1960s, through the years of urban decay of the ’70s, and to the galvanized identity politics of the ’80s. The bohemian posturing evident in so many images celebrates a sense of personal freedom that was, for each generation, undoubtedly hard-won. The shared triumphs and inevitable failures documented in Downtown Pix continue to shape the memory of a scene that, through its many permutations, thrived on an ethics of experimentation, and a commitment to radical forms of urban life.

Sponsorship:
Organized by New York University’s Grey Art Gallery and Fales Library and Special Collections, Downtown Pix is guest curated by Philip Gefter. The exhibition has received the generous support of the Robert Mapplethorpe Foundation; Ronald and Frayda Feldman; New York University’s Visual Arts Initiative; the Grey’s Director’s Circle, Inter/National Council, and Friends; and the Abby Weed Grey Trust.

About the Grey Art Gallery:
The Grey Art Gallery is New York University’s fine-arts museum, located on historic Washington Square Park in New York City’s Greenwich Village. It offers the NYU community and the general public a dynamic roster of engaging and thought-provoking exhibitions, all of them enriched by public programs. With its emphasis on experimentation and interpretation, and its focus on exploring art in its historical, cultural, and social contexts, the Grey serves as a museum-laboratory for the exploration of art’s environment and its contributions to civilization.

Exhibitions organized by the Grey have encompassed all the visual arts: painting, sculpture, drawing and printmaking, photography, architecture and decorative arts, video, film, and performance. In addition to producing its own exhibitions, which often travel to other venues in the United States and abroad, the Gallery hosts traveling shows that might otherwise not be seen in New York and produces scholarly publications, many of which are distributed worldwide.

General Information:
Grey Art Gallery, New York University, 100 Washington Square East, New York, NY 10003
Tel: 212/998-6780, fax: 212/995-4024, E-mail: greygallery@nyu.edu
Web site: http://www.nyu.edu/greyart

Hours:
Tuesday, Thursday, Friday: 11am–6 pm
Open Late Wednesday: 11 am–8 pm
Saturday: 11 am­­–5 pm
Sunday, Monday and major holidays: Closed
Admission: Suggested donation: $3; NYU students, faculty, and staff: free of charge

Monday, January 4, 2010

LAST MINUTE: Participants needed for workshop to develop an adaptation of The Octoroon

Below is a message about a workshop/lab/play reading passed along by my colleague Raya El Zein on behalf of the playwright, director and dramaturg. They need last minute participants for this interesting project so if you are in New York please consider contacting them. Details and contact information follow.

WE KNOW THIS IS INCREDIBLY LAST MINUTE, BUT:

Playwright Branden Jacobs-Jenkins (Neighbors, forthcoming at the Public), director Gavin Quinn (PanPan Theatre), and dramaturg/producer Allison Lyman (NYC Players) are currently developing an adaptation of nineteenth century playwright Dion Boucicault's famous melodrama THE OCTOROON for Performance Space 122 (to premiere June 2010) and could use your help.

They're having a sort of super-last-minute workshop/lab on January 5 and 6 (This week! Whoops?!), during which a group of actors and artists will read out loud together all or parts of Boucicault's original THE OCTOROON--with a bit of light direction from Gavin--followed by a brief, informal, artist-led discussion. Pending available time, rough pages from the new adaptation may also be read.

(Links to information about Dion Boucicault and the play are appended to the end of this e-mail.)

Again, WE KNOW THIS IS INCREDIBLY LAST MINUTE BUT:

They are looking for enthusiastic actors/artists to read this play aloud and participate in the discussion.

They are also looking for other informed voices--academics, lazy actors who dont feel like reading, directors, writers, thinkers, nineteenth century theatre enthusiasts--in the room to listen and also participate in the discussion.

The total time commitment is roughly is 3 hours. (There will be five different readings by give different groups of actors and/or participants.You could come to more than one, if you REALLY wanted.)

Unfortunately, this is an unpaid, volunteer gig, but all selected actors/readers will receive a modest honorarium to cover travel. This is the opportunity to participate in the ground-level developmental phase of what will undoubtedly be a bizarre and exciting collaboration, premiering next season. This is also an opportunity to geek out on Early American Drama and maybe discuss such thrilling things as "how to adapt nineteenth century plays," "identity politics in the theatre," "how hard it is to be an actor," the idea of a contemporary avant-garde, commercialism in the theatre, "what it's like to be an ethnic," and Ireland.

Here are the dates and time slots available:

January 5: 11am-2pm, 3pm-6pm, 6:30pm-9:30pm

January 6: 11am-2pm, 3pm-6pm

Location will be disclosed to all parties who inquire.

If interested and available, please send an e-mail ASAP to theoctoroon@gmail.com, expressing your interest and telling us a bit about who you are--what you do (actors, director, Theatre Studies Phd, Indian Chief) and your interest in the event (reader or observer)--and what time slots you are available, in order of preference.

Also: PLEASE PLEASE re-post/forward this along to any others actors or artists you think might be interested.

Thanks!

LINKS TO INFORMATION ABOUT DION BOUCICAULT AND THE OCTOROON:
b
http://www.wayneturney.20m.com/boucicault.htm

http://en.wikipedia.org/wiki/The_Octoroon

http://www.bookmice.net/darkchilde/maude/mplay18.html

Sunday, December 13, 2009

Photographer Rania Matar Artist Talk at Cabinet


Across Histories Artist Talk Series:

Segregated Spaces — On Progress with Rania Matar
Ordinary Lives, discussion and book signing.

December 16, 2009
7 p.m.
Cabinet Magazine Space 300 Nevins Street Brooklyn, New York 11215

Curated by Lauren Pearson, Across Histories is a free monthly series centered on developing an ongoing critical discussion of artistic practices in the Middle East, North Africa, South Asia and their diasporas. Debuted at the Elizabeth Foundation Gallery in Manhattan in September 2008 and now housed at Brooklyn's Cabinet Magazine Space, Across Histories provides a compelling platform for artists, designers, curators and art critics to present and discuss their work, oeuvres, historical moments, theories, writings and exhibitions that have had the most impact on their professional practices.

Photographer Rania Matar's work focuses on the Middle East, in particular women and children in Lebanon, a country said to be "the gate to the Middle East, between the West and the Arab world." In in her first book, Ordinary Lives, Matar who grew up in Lebanon and the United States — an outsider and an insider in both worlds — collects a large body of work pertaining to war, the spread of the veil, Palestinian refugee camps and Christian life in the Middle East.

Rania Matar's Bio:

Born and raised in Lebanon Matar moved to the United States in 1984. She was trained (AUB and Cornell University) and worked as an architect before studying photography at New England School of Photography and Maine Photographic Workshops in Mexico with Magnum photographer Constantine Manos. She currently works full-time as a photographer, and teaches photography to teenage girls in Lebanon's refugee camps and to teenage refugees in Boston.

Matar's work has been published in photography and art magazines and exhibited widely in solo and group exhibitions in the United States and internationally. She has won many awards including an artist grant from the Massachusetts Cultural Council, first prize in New England Photographers Biennial, first prize in Women in Photography International, and honorable mentions at Prix de la Photographie Paris Px3 “The Human Condition.” In 2008 she was selected one of Top 100 Distinguished Women Photographers by Women in Photography, and was a finalist for the prestigious Foster award at the Institute of Contemporary Art, Boston with an accompanying exhibition.

Her images are in the permanent collection of many museums, including the Museum of Fine Arts, Houston; the Portland Art Museum, Oregon; the De Cordova Museum and Sculpture Park; the Danforth Museum of Art; the Kresge Art Museum; the Southeast Museum of Photography; and of private collections including the Anthony and Beth Terrana Collection, the John Cleary Estate and the Emir of Kuweit Collection.

Her first book, Ordinary Lives is published by the Quantuck Lane Press and WW Norton.



Tuesday, December 8, 2009

Skateistan — To Live and Skate in Kabul

Conflict Nations Program: Afghanistan

Zero Film Fest

December 10, 2009
7 p.m.
Issue Project Room 232 3rd Street Brooklyn, New York 11215

ArteEast is pleased to co-sponsor the Conflict Nations Program: Afghanistan at the Zero Film Fest.

In a time when the majority of festivals are Hollywood marketing campaigns, and even “indie” and “underground” festivals screen financed films, the Zero Film Fest offers something different—recognizing authentically independent films and filmmakers who take risks and fight the odds to see their visions through.

The Conflict Nations Program is a muti-disciplinary exploration of the Afghan experience including a visual art installation, guest speakers, readings and film screenings.

Readings by Afghan American writers:

Sahar Muradi
Zohra Saed
Masood Kamandy
Naheed Elyasi

Film Screenings:

Skateistan — To Live and Skate in Kabul, Kai Sehr (7 mins) Documentary Preview

Inspired by Skateistan, Afghanistan’s first skateboarding school, this emotional feature-length documentary is a journey deep into the lives of Afghanistan’s urban youth. It chronicles the efforts of a grass-roots organization to build the first skate hall in Kabul, follows the first international crew of pro skaters on their visit to Afghanistan and tells a tale of the irrepressible hope found within a nation’s children.

Rethink Afghanistan, Robert Greenwald (62 mins) Feature Documentary

Greenwald portrays Afghanistan as a nation — or, more accurately, a collection of tribal affiliations — that has never been pacified by force in its long history and the present American endeavor as doomed to failure.

Rethink Afghanistan, from Robert Greenwald, the man behind Outfoxed, Wal-Mart: The High Cost of Low Price and Iraq For Sale, "presents the complex, harsh and enduring legacy of the Afghan War."
- Joel Epstein, Huffington Post

For more information, please visit Zero Film Festival.

Sunday, November 22, 2009

Performance: Swimming to Spalding

Photo of Lián Amaris: Jesus Sanchez

Directed by Richard Schechner (of East Coast Artists and formerly, The Performance Group), performance artist Lián Amaris goes in search of Spalding Gray's "perfect moment" by following the map of experience described in Gray's masterpiece Swimming to Cambodia, nearly a generation later.

While returning to Gray's traditional story-telling, Amaris also ventures away from the "table and notebook" to embody a year of experiences all over the world- from Bangkok brothels to Baghdad bombings, from Mardi Gras to mental institutions.

HERE Arts Center
145 6th Ave (Enter on Dominick, 1 Block South of Spring)
New York, NY 10013-1548

For Tickets: http://www.here.org/see/now/ or call (212) 647-0202

$25 or 2-for-1 at the door with Student ID

Thursday 12/3 Preview 8:30pm
Friday 12/4 Previews 8:30 and 10:30
Saturday 12/5 Preview 4pm and OPENING 8:30pm
Sunday 12/6 Performance 4pm

Wednesday 12/9 Performance 8:30pm
Thursday 12/10 Performance 8:30pm
Friday 12/11 Performances 8:30pm and 10:30pm
Saturday 12/12 Performances 4pm and 8:30pm
Sunday 12/13 Performance 4pm with post-show TALKBACK

Wednesday 12/16 Performance 8:30pm
Thursday 12/17 Performance 8:30pm
Friday 12/18 Performances 8:30pm and 10:30pm
Saturday 12/19 Performances 4pm and 8:30pm
Sunday 12/20 Performance 4pm

Thursday, November 5, 2009

Deathface at The Trash Bar in BK Saturday

Roberto Osorio, Aidan Collins, John McCann (l-r)

My friend Oso's band Deathface are playing a full set at Trash bar in Williamsburg this Saturday. You should leave your homes and attend. Thank you.

Details:

When: Saturday, November 7, 2009
Time: 8:00-11:00pm
Where: TheTrash Bar

256 Grand Street, btw. Driggs and Roebling
Williamsburg, Brooklyn 11211
718-599-1000

Open bar from 8-9pm with the $7 admission

Wednesday, October 28, 2009

Performance Artist and "Terrorist Drag Queen" Vaginal Creme Davis Appearing at NYU

The Department of Performance Studies presents:

Vaginal Creme Davis in an original performative lecture/oratorio.

Monday, November 9, 2009
7:00- 8:30pm
Tisch School of the Arts
721 Broadway, 6th floor
NYU Department of Performance Studies

RSVP on Facebook: http://tiny.cc/dMaYt

By Dominic Johnson via Frieze Magazine

"Vaginal Creme Davis is an originator of the homo-core punk movement and a gender-queer art-music icon. Her concept bands -- including Pedro Muriel and Esther, Cholita! The Female Menudo, black fag, and the Afro Sisters -- have left an indelible mark on the development of underground music. Like Ron Athey, Ms Davis made her name in LA's club performance scene, and has earned herself a similar notoriety as a cultural antagonist and erotic provocateur.

Set apart from gallery-centered art, and Hollywood movies, and from those systems' necessities of high-polish, low-substance production, Vaginal Davis's low-budget -- often no-budget -- performance, experimental film and video practice has critiqued exclusionary conceits from the outside. Davis has been a prolific producer of club performance, video and Xerox-produced Zines, and other forms of antagonistic low-cost, high-impact work. Such as in her drag reconstruction of Vanessa Beecroft's Navy SEALs performance, Ms Davis derails collector-friendly raciness in spectacles of femininity, queerness and blackness. She critiques both the gallery system and the larger cultural trend that it mirrors, with tongue-in-cheek self-exploitation and rude provocations of racial and gender confusion.

Vaginal Davis is the key proponent of the disruptive performance aesthetic known as terrorist drag. Disrupting the cultural assimilation of gay-oriented and corporate-friendly drag, she positions herself at an uncomfortable tangent to the conservative politics of gay culture, mining its contradictory impulses to interrupt the entrenchment of its assimilatory strategies.

A self-labeled "sexual repulsive," Ms Davis consistently refuses to ease conservative tactics within gay and black politics, employing punk music, invented biography, insults, self-mockery, and repeated incitements to group sexual revolt -- all to hilarious and devastating effect. Her body a car-crash of excessive significations, Vaginal Davis stages a clash of identifications within and against both heterosexual and queer cultures, and Black and Hispanic identities. From bubblegum songstress Graziela Grejalva to aging deviant John Dean Egg III, Davis's personas reject the internal counter-cultural mandate to refuse self-criticism, instead problematising the functions and assumptions of normative trends within the margins.

By renewing uncertainties within alternative cultures and identities, Vaginal Davis opens up spaces for their continual struggle towards renewed and greater challenges, over and against these practices' timid appeasement and appropriation by the mainstream."

Monday, October 26, 2009

ACROSS HISTORIES ARTIST TALK SERIES Segregated Spaces: On Progress, with Naeem Mohaiemen

Cabinet Magazine Space, Brooklyn
Tue, Oct 27, 7 p.m.

"Curated by Lauren Pearson, Across Histories is a free monthly series focused on developing an ongoing critical discussion of artistic practices in the Middle East, North Africa, South Asia and diasporas. Debuted at the Elizabeth Foundation Gallery in Manhattan in 2008, and now housed in Brooklyn's Cabinet Magazine Space, Across Histories provides a compelling platform for artists, designers, curators and art critics to present and discuss their work, oeuvres, historical moments, theories, writings and exhibitions that have had the most impact on their professional practices.

This month, the series will host Naeem Mohaiemen, a writer and artist who works in Dhaka and New York City, exploring the contradictions between Bengalis in marginal migrant status and majoritarian roles in their own country.

Naeem Mohaiemen is a writer and artist working in Dhaka and New York City. He uses text, photo, video and archives to explore histories of the international left, utopia/dystopia slippage, post-partition South Asia, and globally interlinked security panic. Projects include My Mobile Weighs A Ton (militarization); Otondro Prohori, Guarding Who (surveillance); Penn Station Kills Me (monuments); Kazi in Nomansland (amnesia); and Red Ant Motherchod Meet Starfish Nation (military coup).

Working between two countries, Mohaiemen sometimes explores the contradictions between Bengalis in marginal migrant status, and majoritarian (and authoritarian) roles in their own country. He writes on Bangladesh's religious and ethnic minorities for the Ain Salish Kendra Annual Human Rights Report (askbd.org), and on activist blogs (unheardvoice.net/blog). As part of this work, Muslims or Heretics: My Camera Can Lie was a documentary about the problem of multiple audiences. His essays include Islamic Roots of Hip-Hop (Sound Unbound, MIT Press); Beirut: Illusion of a Silver Porsche (Men of the Global South, Zed Books); Why Mahmud Can't be a Pilot (Nobody Passes, Seal Press); Adman Blues Become Artist Liberation (Indian Highway, Serpentine Gallery); Everybody Wants To Be Singapore (La Buena Vida, Carlos Motta, ICA); and the book Collectives in Atomised Time (with Doug Ashford, Idensitat, Spain). Mohaiemen's exhibition at CUE marks his first solo show in New York."

For more information, please visit shobak.org

Tuesday, October 20, 2009

Life in Hell: A Journalist's Account of Life in Gaza

The Palestine Center invites you to a briefing

"Life in Hell: A Journalist's Account of Life in Gaza"

with

Mohammed Omer
Gaza Correspondent, Washington Report on Middle East Affairs


Thursday, 5 November 2009
12:30 - 2:00 pm
The Palestine Center

"Mr. Omer will describe his interviews with Gazans trying to survive the stifling blockade on the Gaza Strip. As another winter approaches, he will discuss how Gazans are coping without electricity, water, fuel, sewage treatment and adequate health care or building materials. Gazans can't fix water tanks, windows, and doors damaged by bombs or shells during Israel's attack last winter because Israel forbids access to reconstruction supplies. Winter rains and floods will make life even more hellish for Gazans this winter unless border restrictions are lifted.

Mohammed Omer is an award-winning Gaza correspondent for the Washington Report on Middle East Affairs. In addition to his articles for the Washington Report, he has published articles in dozens of newspapers and magazines worldwide and his photographs are featured in various international news agencies, including the Agence France-Presse (AFP) wire service. Mr. Omer was born and raised in the Rafah refugee camp."

This briefing is free and open to the public. A light lunch will be served to registered guests at 12:30 p.m. The briefing and question/answer period will be from 1:00-2:00 p.m. Registration is required. Unregistered guests will not be admitted. To register, click here or call (202) 338-1958 ext.11 by noon Wednesday, 4 October 2009.