Tonight: A Report from Gaza & the West Bank The Gaza Freedom March and Beyond

Gaza Swimming Pool by Latuff

Tonight: A Report from Gaza & the West Bank The Gaza Freedom March and Beyond

Date: Thursday, January 21st, 2010 at 6:30pm
Location: Judson Memorial Church
Address: 55 Washington Square South, NY, NY 10012
(http://maps.google.com/maps?f=q&hl=en&q=55+Washington+Square+S,+New+York,+NY)

Speakers:
Ali Abunimah - co-founder Electronic Intifada: The Gaza Freedom March and Beyond
Michael Ratner - president Center for Constitutional Rights: Report from Cairo and the West Bank
Fida Qishta - journalist and filmmaker from Gaza
Jenna Bitar - student Hunter College H.S.: A Student Perspective

Admission at the door $10, Students $5 - none turned away

For more information call 917-912-2597 or 212-979-1381

Sponsors: Gaza Freedom March, Adalah-NY, Brooklyn for Peace, Codepink, Committee for the Open Discussion of Zionism, Jews Say No, Jewish Voice for Peace, Middle East Crisis Response, Wespac Tomorrow, January 22nd Ali Abunimah Speaks on: Global Grassroots Activism & the Gaza Freedom March

Tomorrow Night: 1300 People, 43 countries, 1 aim: Lift the Siege on Gaza

Date: Friday, January 22nd, 2010 at 2:15pm
Location: Earl Hall Auditorium (2nd Floor), Columbia University
Address: 2980 Broadway, NY, NY 10127
RSVP: recommended via Facebook: http://www.facebook.com/event.php?eid=256061418577&ref=mf

Ali Abunimah, author of “One Country: A Bold Proposal to End the Israeli-Palestinian Impasse” and co-founder of the Electronic Intifada (EI), which is one of the primary news media resources that offers sound analysis and refreshing perspective on the Israel-Palestine conflict, will speak on his experience on the March, grassroots activism, and the current state of the "peace process."

ABOUT the Gaza Freedom March (GFM):

The Global grassroots initiative inspired by Gandhi/Mandela aims to break the blockade of Gaza.

The Gaza Freedom March that will take place in Gaza on December 31 is an historic initiative to break the siege that has imprisoned the 1.5 million people who live there. Conceived in the spirit of Mahatma Gandhi, Nelson Mandela and nonviolent resistance to injustice worldwide, the march will gather people from all over the world to march—hand in hand—with the people of Gaza to demand that the Israelis open the borders.

Marking the one-year anniversary of the December 2008 Israeli invasion that left over 1,400 dead, this is a grassroots global response to the inaction on the part of world leaders and institutions. Over 1,000 international delegates from 42 countries have already signed up and more are signing on every day. Participants include Pulitzer Prize winning author Alice Walker, leading Syrian comedian Duraid Lahham, French Senator Alima Boumediene–Thiery, author and Filipino Parliament member Walden Bello, former vice president of European Parliament Luisa Morgantini from Italy, President of the U.S. Center for Constitutional Rights Attorney Michael Ratner, Japanese former Ambassador to Lebanon Naoto Amaki, French hip-hop artists Ministere des Affaires Populaires, and 85-year-old Holocaust survivor Hedy Epstein.

Also marching were families of three generations; doctors; lawyers; diplomats; 70 students; an interfaith group that includes rabbis, priests and imams; a women's delegation; a veterans group; and Palestinians born overseas who have never seen their families in Gaza.

This event is sponsored by the Arab Student Association at SIPA, TURATH, Adalah-NY, Codepink, MSA and the Grassroots Policy Network.

Co-sponsored by the Columbia Coalition Against War, Students for a Democratic Society, ISO, and Al-Awda NY.

Visit us on line at www.adalahny.org

A History Lesson Pt.2: Haiti: The Pearl of the Antilies

This great essay from Joslyn Barnes in the Nation on the history of Haiti has been passed around the internet, so you may have seen it already, but I thought it was so concise and well done that I wanted to repost it here as well. I was recently reading a comment thread at Open Salon where a woman asked rhetorically "How did Haiti get to be a hell on earth"? The complete ignorance of Haiti's colonial history is shocking but typical. It is the same story all over; South Asia, Africa, the Middle East etc. The West colonizes a place thereby crippling its infrastructure, sits back during its "postcolonial" phase while it falls to pieces and then clicks its tongue, saying "See? Those people cannot manage themselves"... which retroactively justifies colonial intervention in the first place.

Haiti: The Pearl of the Antilles

By Joslyn Barnes

January 19, 2010

"The French colony of Saint-Domingue achieved its independence and became Haiti in 1804 after a brutal twelve-year struggle that began with an uprising of enslaved peoples led by Toussaint Louverture, Jean-Jacques Dessalines and Henry Christophe, who together defeated the French royalist and revolutionary armies, the Spanish and British imperial armies who tried to take advantage and finally Napoleon Bonaparte. Bonaparte sought to restore slavery and use Haiti as a launching pad for an invasion of the United States, sending some 50,000 troops to Haiti, where they were decimated by the Haitian forces and yellow fever. Bonaparte finally surrendered the project and sold the Louisiana Territory for 60 million francs to Thomas Jefferson, our Francophile president. Jefferson expressed his gratitude to the Haitians by assisting in the French blockade intended to punish Haiti. He closed our ports to all Haitian vessels as US slaveholders were terrified of the spread of the "contagion" known as liberty. It wouldn't be the last time the word "contagion" was wielded in association with Haitian people, nor would it be the last time Haitians would be wrongly turned away from these shores.

The three great revolutions of the time period: the US (1776), the French (1789-1799) and the Haitian (1792-1804) should be taught in our schools as a trilogy. Haiti under the visionary Toussaint Louverture sought to realize the ideals of the US Declaration of Independence and the French Declaration of the Rights of Man for all men--unlike their authors. Haiti contributed massively to liberation struggles elsewhere, perhaps most significantly in Venezuela, assisting Simón Bolívar twice in his quest to achieve independence from Spain. That the Haitian Revolution alone has been virtually erased from history impoverishes us all. We should know whose shoulders we are standing on.

The blockade of Haiti eventually brought the new nation to its knees. The price of lifting the blockade was the payment of some 150 million francs (equal to $21 billion today) in reparations to the French for lost "property"--some of which was in the form of enslaved human beings. France also required that Haiti discount its goods at 50 percent, making it even harder to pay this debt. Though France later lowered the payment to 90 million francs, the cycle of forcing Haiti to borrow from French banks to make the payments chained the nation to perpetual poverty. Haiti did not finish paying her "debt" until 1947.

In the interim, concerned by increasing German interests in Haiti, and fears that it might occupy the Panama Canal, the United States invaded and occupied the country from 1915-1934. The US Assistant Secretary of the Navy at the time--none other that Franklin D. Roosevelt--rewrote the country's constitution. Since then, and especially under the brutal Duvaliers supported by postcolonial interests--Haitians have endured one corrupt dictator after another. Only those receiving the bribes have been blamed, however. What of the postcolonial corporate interests who offered? Are they not to be held accountable too?

In 1990 the populace elected the leftist priest Jean-Bertrande Aristide. History eventually repeated itself: the same "former" colonial powers intervened and used indebtedness again as their controlling weapon of choice. Former US President Bill Clinton, now the US envoy to Haiti and in charge of leading the quake assistance brigade, championed the structural adjustment programs imposed that effectively privatized Haiti's infrastructure.

The massive disaster we are seeing unfold on our television screens is directly connected to this policy. There are no first-responders--police, firemen, medical rescue workers or otherwise--in Haiti because the national infrastructure had already been gutted by powers far more devastating than the earthquake. The country has been servicing an unbearable and wrongful debt for centuries, at the expense of its own people.

That aid comes with strings attached is an old story, but when we are complicit in creating the conditions that make aid a survival necessity, and then cut off every other alternative--what have we done but reinstated slavery?

We can stop this cycle now. We must prevent, at all costs, our government, any government, the IMF or the World Bank, commercial lending institutions or corporate interests from taking any actions whatsoever that will further indebt or privatize Haiti's resources. Haiti's debt should be canceled completely, and it is Haiti that should be the recipient of long-overdue reparations."

Joslyn Barnes is a writer, producer and co-founder of Louverture Films with Danny Glover. She is the author or co-author of numerous commissioned screenplays for feature films including the upcoming epic Toussaint.

Pat Robertson, Kanye West and Tiger Woods: Who is Held Accountable? And Why?

I was struck by Pat Robertson's latest round of hateful comments--this time directed at the suffering people of Haiti. But even more disturbing to me has been the relative impunity with which he offers his religious opinions. We are after all, living in a moment when President Obama weighed in on Kanye West's drunken(?) intrusion into Taylor Swift's acceptance speech for a video music award. So the notion that our leaders are working steadily inside a culture-free bubble wherein it would be inappropriate to comment on such things is applied only selectively. If Kanye West was/is (in the words of the President) a "jackass" for inserting himself into a situation that had nothing to do with him and pushing his agenda, what does that make Pat Robertson... besides a rich old white guy? Doesn't a pronouncement of sweeping religious intolerance that purposefully obfuscates the history of colonial intervention in Haiti made by one of the most powerful Christian leaders in the West deserve the same amount of attention accorded a narcissistic hip hop performer who stole a moment from a wide eyed country-pop ingenue? Or, say, Tiger Woods? Whose various infidelities with a growing list of women each of whom is 25%-40% less attractive than his actual wife? Apparently not. I am not suggesting that West's actions were anything less than boorish (and probably self-destructive) or that Woods's infidelities (see also: boorish, self-destructive) be nudged, winked and shrugged off either. But their infractions were marginal to the point of meaninglessness in the sense of their ability to actually impact the lives of others, besides perhaps the editors of tabloid magazines. When Pat Robertson claims that the natural disaster that befell Haiti and crippled its children is a self-fulfilling prophecy brought on by a pact with the devil, he preemptively short circuits any expression of sympathy (or empathy) among his followers. In Robertson's paradigm the Haitians may deserve "our" pity but we should not forget that they can never be "our" equal, even in God's eyes.

Thus far there has been no official call to accountability for Pat Robertson--from anyone in a position of power. I think this speaks to the enormous amount of political power and influence wielded by Robertson and his evangelical fellows. In that absence I have reposted an essay below from Dr. James Zogby's Washington Watch column written for the Arab American Institute. In it, he says many of the things I wish someone in government would say about Robertson and offers a brief history of Robertson's (once heretical, now mainstream) Christian theological and political philosophy. As far as I can tell Zogby is the only public figure loudly calling for Robertson to be held accountable for the effect of his words.

Another Robertson Outrage: Time for Accountability

By Dr. James Zogby
Posted on Tuesday January 19, 2010

"On Jan 13th, television evangelist Pat Robertson pontificated on the horrific earthquake that had struck the country of Haiti. Noting how many recent tragedies had befallen the Haitian people, Robertson told his TV audience that, “something happened a long time ago in Haiti, and people might not want to talk about it…they were under the heel of the French and got together and swore a pack pact to the devil. They said, we will serve you and you’ll get us free from the French. And so the devil said, OK, it’s a deal. But ever since they’ve been cursed. But it may be a blessing in disguise.”

As outrageous as these comments might be, they were shrugged off by many as just more nonsense ranting from an old religious fanatic. Robertson has a practice of using his bizarre theology to explain world events. It was, he said, debauchery that brought the terror of 9/11 to New York or the devastation of Katrina to New Orleans. And it was the decision to unilaterally withdraw from Gaza (dividing God’s gift to the Jewish people) that caused then Israeli Prime Minister Ariel Sharon to be struck down by a stroke.

As a student of religion I have long followed the ranting of Robertson. His peculiar brand of theology—“dispensational pre-millenialism”—once seen as heretical by most Christians, has within the past two decades developed a strong following becoming a political force, especially within the Republican Party. Its adherents believe that the current era is an exact replay of the Old Testament, and that the events that led up to the birth and death of Jesus and the destruction of the Temple in Jerusalem are being mirrored in events today that will lead to the return of Jesus and the final battle that will lead to the destruction of the world.

In fact over the years, most every war in the Middle East was accompanied by a Robertson TV show in which the televangelist gleefully prophesied that the “end was at hand”.

Again, given his theology, Robertson is a fanatic supporter of Israel (except that his support is based on their role in his theology, requiring them to convert to Christianity and ultimately be destroyed in the final battle) and a virulent foe of Arabs and Muslims. This has led him to make additional outrageous comments.
For example:

If we don’t stop covering up what Islam is … Islam is a violent — I was going to say religion, but it’s not a religion, it’s a political system, it’s a violent political system bent on the overthrow of the governments of the world and world domination, Robertson said. You’re not dealing with not a religion you’re dealing with a political system, and I think we should treat it as such, and treat its adherents as such as we would members of the communist party, members of some fascist group.

Ladies and gentlemen, we have to recognize that Islam is not a religion. It is a worldwide political movement meant on domination of the world. And it is meant to subjugate all people under Islamic law.

What is troubling to me is not only how Robertson masks hateful remarks passing them off as “absolute” religious truth or the powerful political reach his television program and movement have given him. Rather it is the double standard that is applied to this man’s outrages. If a Muslim Imam somewhere in the Middle East had made comments of the sort made by Robertson, political leaders would demand a crackdown requiring the Imam’s government to take definitive measures to end incitement. If that Imam were an American citizen and had made contributions to political campaigns, recipients would be pressed to denounce the Imam and return the money. But for years this approach has not been used with Robertson. Instead, he has been revered by some and dismissed as a “quack” by others. This really should end.

Research shows that in the last decade Robertson has given over $550,000 to the Republican Party and candidates in Virginia (including over $100,000 to newly elected Governor Bob McDonnell). He has given another $50,000 to national GOP candidates. Shouldn’t those politicians who have been recipients of Robertson’s largess be pressed to denounce his remarks and return the amounts they received from him (or maybe asked to send an equal amount to Haitian relief)?

At the end of the day, Robertson should be free to say or believe whatever he wants, however vile his views may be. That is not the issue. Rather it is that his political influence and power should be exposed and challenged, and those who accept his support should be held accountable."

Shameless Self Promotion: "Gutted" at LACE

Hello Internet friends and followers. My work is appearing at Los Angeles Contemporary Exhibitions (LACE) in a show called "Gutted" on Saturday, February 2o/2010. It's a benefit for LACE, which is an important space for weird art in LA. In his curatorial statement "Gutted" curator (and artist) Dino Dinco writes lovingly,

"As a teenager in mid-‘80s Los Angeles, Ron Athey, Luis Alfaro, and Vaginal Davis were but some of the artists who schooled me in what it meant to use the body – their bodies – to investigate a matrix of race, sex, power, community, activism, sexuality and desire through performance art. Many of the spaces where I first saw these artists are long gone: The Onyx Café, Club Fuck!, Glaxa Theater, Troy Café and countless alternative, temporary spaces in and around Downtown Los Angeles when Downtown was a vastly different landscape.

LACE isn’t only one of the few venues from that era that has survived but a vital creative force in Los Angeles, offering a space in which to present work deemed difficult or transgressive by many other established arts institutions. LACE has always occupied an awkward space – not really a gallery, not really a museum -- and perhaps it’s this awkwardness that has kept it alive, flexible to change and adapt more quickly than a larger institution. Some of my first memories of seeing live arts in Los Angeles happened at LACE on Industrial Street. I’ll never forget Nina Hagen prancing around the outside patio of LACE performing intergalactic opera or feeling the spray of warm sparks blanket my face during a Babyland set when Michael Smith applied rotary saw to oil barrel..."

If you are in or around Los Angeles please attend the show. (And if you have a mind to, report back and let me know what you thought.) In this era of general disregard for art-- let alone extreme or experimental art-- I hope you'll support a space like LACE and spread the word. Please feel free to repost:

2300 12.0

LACE’S ANNUAL WINTER BENEFIT Saturday 20 February 2010 I 8pm – Midnight I Doors open 7pm I $10

To purchase tickets, visit welcometolace.org
Free to all LACE members

LACE (Los Angeles Contemporary Exhibitions) is pleased to present GUTTED: LACE’S ANNUAL WINTER BENEFIT. This year, LACE has teamed up with Los Angeles-based curator Dino Dinco, who brings his own passions and experience to this annual fundraising event. Inspired by Los Angeles’ history of performance art and LACE’s role as an open platform for artistic expression, Dinco has reached out to a range of artists, both established and emerging, to present an unrestrained evening of contemporary performance. GUTTED showcases a daring ensemble of live performance, texts and objects speaking of, from and to the body. With a roster of creative talent spanning thirty years of live performance, GUTTED illustrates an array of ways artists have addressed the human form, spanning issues of domesticity and labor, AIDS, race, social activism, queerness, straightness, bodybuilding, body destruction, fantasy & grotesquerie.

Participating artists include: Benjamin Weissman, Raquel Gutierrez, Xuanito Carlos Espinoza Cuellar, Sheree Rose, Luis Alfaro, Alice Cunt, Lucas Michael, Elle Mehrmand & Micha Cardenas, Marcus Civin, Ryan Heffington, Rafael Esparza and Gronk, Brian Getnick/THE BALLET, Hi Fashion $9.99, Julie Tolentino & Pigpen, Taisha Ciara Paggett, Heather Cassils, Mariel Carranza, Dorian Wood, Samuel Vasquez, Bela Messex, Juan Martin del Campo Jr., Joseph Shahadi, and more. For a complete list, visit www.welcometolace.org.

"The impetus for GUTTED stems from my love for performance as well as my ongoing interest in the work of French philosopher and social critic Jean-Luc Nancy, particularly his work Corpus. In this work, Nancy articulates that there is no ontology of the body, but rather, the body is ontology itself. The body is a familiar subject of discourse in the arts, as we have and will always already work from the body. A body of work. A body of knowledge. Through Nancy, I view LACE – the space – as a body that will fill with bodies, where the ongoing conversation about our / their / your bodies will continue". –Dino Dinco

All proceeds benefit LACE programs.

Downtown Pix: Mining the Fales Archives, 1961–1991

David Wojnarowicz, Untitled, from the series Rimbaud in New York, 1977-79
Gelatin silver print. David Wojnarowicz Papers

Downtown Pix: Mining the Fales Archives, 1961–1991
On view: January 12 – April 3, 2010

New York City (November 13, 2009)—Jointly organized by New York University’s Grey Art Gallery and Fales Library, NYU’s repository of rare books and manuscripts, Downtown Pix: Mining the Fales Archives, 1961–1991 features over 300 photographs and other printed materials from Fales’s pioneering Downtown Collection. On view at the Grey Art Gallery from January 12 to April 3, 2010, the exhibition is drawn from the papers of artists, writers, poets, and arts organizations that comprise this important archive. The images presented in Downtown Pix create a rich photo-graphic portrait of the creative practices and social protests that defined the Downtown scene as it evolved over the course of three tumultuous decades.

For successive generations of New York artists, “Downtown” has signaled a state of mind as much as a geographic location. The artists, playwrights, choreographers, and political activists who called Downtown home built a lively community that fostered aesthetic experimentation and countercultural rebellion. Downtown Pix focuses on the central role played by photographers in capturing the vital but ephemeral practices of a diverse range of artists. Following in the footsteps of the Grey’s landmark 2006 Downtown Show, Downtown Pix maps a multifaceted cultural scene whose influence on the arts is still felt today.

As critic and guest curator Philip Gefter observes, “The photographs in Downtown Pix register not so much as moments frozen in time as paused frames from a live-action film. This is due, in part, to the kinetic energy of the period—the live performances in loft spaces that encouraged audience participation, the scene’s irreverence and experimentation, as well as a sexual charge that served as a live wire of social behavior—at least until the arrival of AIDS. Downtown Pix provides a photographic chronicle of the period when formal conventions were abandoned with a kind of nose-thumbing glee. And, for a period of time, photography itself became more authentic, more animated, and more fun.”

The exhibition includes work by renowned artists such as David Wojnarowicz, Nan Goldin, Jimmy DeSana, and Andy Warhol. Three photographs by Robert Mapplethorpe, recently acquired as joint gifts to the Grey Art Gallery and Fales Library, will also be on display. Equally important to Downtown Pix are the works by photojournalists who reflected the scene as it developed. Fred W. McDarrah’s images of Greenwich Village’s Gay Pride Parade for the Village Voice document the annual event’s evolution. Robert Alexander’s iconic images of dancers, commissioned by the Soho Weekly News, appear alongside examples from his fine-art practice. Snapshots found among artists’ personal papers point to photography’s role in documenting private obsessions and capturing everyday beauty. Poet David Trinidad is represented by more than 40 color photos of miniature tableaux he made featuring his extensive collection of Barbie dolls and accessories. Martin Wong’s images of derelict cityscapes, made as source material for his paintings, offer a glimpse into the artist’s creative process. Whether records of performances, portraits of friends and lovers, or one-off experiments, the photographs in Downtown Pix blur the distinctions between fine-art photography, photojournalism, and amateur snapshots.

Downtown Pix focuses on the intergenerational dialogues and cross-disciplinary resonances that emerge from the archives’ sprawling logic. Photographs of Richard Hell’s concerts at CBGB, Richard Foreman’s experimental plays with the Ontological-Hysteric Theater company, Mabou Mines’s multimedia performances, the happenings at Judson Church, including Carolee Schneemann’s Meat Joy performance, and the installations at Creative Time’s Art on the Beach seriesmark explosive intersections of punk rock, art, dance, and drama. Lynn Gumpert, director of the Grey Art Gallery notes: “The photographs not only document seminal cultural practices, but also survey the vast ecology of artistic subcultures that flourished Downtown.”

Since 1994, when director Marvin J. Taylor founded Fales Library’s Downtown Collection, it has grown substantially to include over 12,000 printed items and 10,000 linear feet of archives. Taking a broad, inclusive approach, the Downtown Collection aims to document the entire scene rather than highlighting individual artists or groups. Among the invaluable materials Fales has acquired, and which are highlighted in Downtown Pix,are the archives of Fashion Moda and the papers of Andrea Callard, co-founder of the artists’ collective Colab. “To truly understand the climate in which key Downtown works were made,” Taylor writes, “requires an archive documenting the culture. All media are included: paper, film, video, and approximately 5,000 photographs from which the images in Downtown Pix were selected.”

The breadth of Fales’s Downtown Collection thus allows for individual artists, writers, and performers as well as collective groups to be situated within broader cultural and social contexts. Each photograph bears the indelible trace of its moment: from the pervasive sense of possibility of the 1960s, through the years of urban decay of the ’70s, and to the galvanized identity politics of the ’80s. The bohemian posturing evident in so many images celebrates a sense of personal freedom that was, for each generation, undoubtedly hard-won. The shared triumphs and inevitable failures documented in Downtown Pix continue to shape the memory of a scene that, through its many permutations, thrived on an ethics of experimentation, and a commitment to radical forms of urban life.

Sponsorship:
Organized by New York University’s Grey Art Gallery and Fales Library and Special Collections, Downtown Pix is guest curated by Philip Gefter. The exhibition has received the generous support of the Robert Mapplethorpe Foundation; Ronald and Frayda Feldman; New York University’s Visual Arts Initiative; the Grey’s Director’s Circle, Inter/National Council, and Friends; and the Abby Weed Grey Trust.

About the Grey Art Gallery:
The Grey Art Gallery is New York University’s fine-arts museum, located on historic Washington Square Park in New York City’s Greenwich Village. It offers the NYU community and the general public a dynamic roster of engaging and thought-provoking exhibitions, all of them enriched by public programs. With its emphasis on experimentation and interpretation, and its focus on exploring art in its historical, cultural, and social contexts, the Grey serves as a museum-laboratory for the exploration of art’s environment and its contributions to civilization.

Exhibitions organized by the Grey have encompassed all the visual arts: painting, sculpture, drawing and printmaking, photography, architecture and decorative arts, video, film, and performance. In addition to producing its own exhibitions, which often travel to other venues in the United States and abroad, the Gallery hosts traveling shows that might otherwise not be seen in New York and produces scholarly publications, many of which are distributed worldwide.

General Information:
Grey Art Gallery, New York University, 100 Washington Square East, New York, NY 10003
Tel: 212/998-6780, fax: 212/995-4024, E-mail: greygallery@nyu.edu
Web site: http://www.nyu.edu/greyart

Hours:
Tuesday, Thursday, Friday: 11am–6 pm
Open Late Wednesday: 11 am–8 pm
Saturday: 11 am­­–5 pm
Sunday, Monday and major holidays: Closed
Admission: Suggested donation: $3; NYU students, faculty, and staff: free of charge

In His Own Words: Pat Robertson on Haiti (And Almost Everybody Else)

Photo illustration by Anthony DeVito

There are no shortage of bad guys in US politics at the moment, any one of whom I could write about at length. Sarah Palin, whose arrogant stupidity makes her the perfect post-W political celebrity; Dick Cheney, whose spotted hands are busy re-writing history every moment, even as it happens; Liz Cheney, whose entire qualification as a conservative pundit seems to be sharing her father's surname and easy gift for lying; Rudy Giuliani, who seemed to forget that 9/11 happened at all-- let alone that it happened during the Bush presidency... ironically negating the entire justification for his political second (third?) act; etc. etc. etc.

But even in my worst moment I could not have guessed at the smug cruelty displayed by Pat Robertson this week when he attributed the devastating earthquake in Haiti to a pact with the devil made by Haitian slaves to free themselves from French colonization. Robertson said,

"Something happened a long time ago in Haiti, and people might not want to talk about it... They were under the heel of the French, you know Napoleon the third and whatever. And they got together and swore a pact to the devil. They said, 'We will serve you if you'll get us free from the French.' True story ... And the devil said, 'OK, it's a deal.' And they kicked the French out. But ever since, they have been cursed by one thing after another."

In other words, he blamed the Haitian people for their own tragic misfortune and used Haiti's checkered political history as proof of its "original sin", a tautology that only the most serpentine brain could conceive. And he did it at the moment of Haiti's greatest suffering, when children are still trapped beneath rubble and people are dying in the streets from broken bones because there are no antibiotics anywhere.

The Haiti/Devil story is an apocryphal legend, like George Washington's cherry tree, which says more about the character of the person who repeats it than of Haiti itself. But what might pass for stunning tone-deafness in another person emerges as a pattern of willful, hateful comments (that are incitements to violence as often as not) in Pat Robertson. This man is a human cancer-- and the fact that he clothes his racism, misogyny, homophobia, xenophobia and assorted other hatreds in a perverse, fun house mirror version of "Christianity" is sick-making. There is nothing of Christ in him.

The most effective way to make my point is simply to let Robertson speak for himself...

On Hurricane Katrina [Which Robertson suggested was divine retribution for abortion]:

"I was reading… a book that was very interesting about what God has to say in the Old Testament about those who shed innocent blood… Have we found we are unable somehow to defend ourselves against some of the attacks that are coming against us, either by terrorists or now by natural disaster? Could they be connected?"

On New Year's 2010 [ After God told Robertson He would not bless the United States because of abortion and homosexuality]:

"You can't have legislation that is anti-God. You can't foster in your midst things that I call an abomination… If you do, sooner or later judgment's going to come."

On a bomb attack on the United States he prophesied in January 2007:

"I'm not necessarily saying it's going to be nuclear. The Lord didn't say nuclear. But I do believe it will be something like that."

On Israeli Prime Minister Ariel Sharon's stroke in 2006, which he blamed on Sharon's stated intention to make peace with Palestinians and give them land (Yeah, he shouldn't have worried):

"He was dividing God's land and I would say woe unto any Prime Minister of Israel who takes a similar course…God says 'this land belongs to me. You'd better leave it alone.'"

On Venezuelan President Hugo Chavez in 2005:

"(Chavez) thinks we’re trying to assassinate him, I think that we really ought to go ahead and do it. It’s a whole lot cheaper than starting a war. And I don’t think any oil shipments will stop… We have the ability to take him out, and I think the time has come that we exercise that ability."

On Jews:

"The Antichrist is probably a Jew alive in Israel today."

On Muslims:

"I want to say it again, and again, and again: Islam is not a religion, it's a political system meant on -- bent on world domination, not a religion. It masquerades as a religion, but the religion covers a worldwide attempt to exercise power and to subjugate the world into their way of thinking."

On Hindus:

"We're importing Hinduism into America. The whole thought of your karma, of meditation, of the fact that there's no end of life and there's this endless wheel of life, this is all Hinduism. Chanting too. Many of those chants are to Hindu Gods -- Vishnu, Hare Krishna. The origin of it is all demonic. We can't let that stuff come into America. We've got the best defense, if you will -- a good offense."

On Hindus and Muslims:

"The media challenged me. `You're not going to bring atheists into the government? How dare you maintain that those who believe the Judeo-Christian values are better qualified to govern America than Hindus and Muslims?' My simple answer is, `Yes, they are.'"

On Episcopalians, Presbyterians and Methodists:

"You say you're supposed to be nice to the Episcopalians and the Presbyterians and the Methodists and this, that, and the other thing. Nonsense, I don't have to be nice to the spirit of the Antichrist."

On women [in a 1992 fundraising letter]:

"The feminist agenda is not about equal rights for women. It is about a socialist, anti-family political movement that encourages women to leave their husbands, kill their children, practice witchcraft, destroy capitalism and become lesbians."

On post-Apartheid South Africa:

"I think 'one man, one vote,' just unrestricted democracy, would not be wise. There needs to be some kind of protection for the minority which the white people represent now, a minority, and they need and have a right to demand a protection of their rights."

On Planned Parenthood in 1991:

"(Planned Parenthood) is teaching kids to fornicate, teaching people to have adultery, every kind of bestiality, homosexuality, lesbianism – everything that the Bible condemns."

On 9/11, in conversation with Jerry Falwell:

JERRY FALWELL: "And I agree totally with you that the Lord has protected us so wonderfully these 225 years. And since 1812, this is the first time that we've been attacked on our soil and by far the worst results. And I fear, as Donald Rumsfeld, the Secretary of Defense, said yesterday, that this is only the beginning. And with biological warfare available to these monsters - the Husseins, the Bin Ladens, the Arafats--what we saw on Tuesday, as terrible as it is, could be miniscule if, in fact--if, in fact--God continues to lift the curtain and allow the enemies of America to give us probably what we deserve."

PAT ROBERTSON: "Jerry, that's my feeling. I think we've just seen the antechamber to terror. We haven't even begun to see what they can do to the major population."

JERRY FALWELL: "The ACLU's got to take a lot of blame for this."

PAT ROBERTSON: "Well, yes."

JERRY FALWELL: "And, I know that I'll hear from them for this. But, throwing God out successfully with the help of the federal court system, throwing God out of the public square, out of the schools. The abortionists have got to bear some burden for this because God will not be mocked. And when we destroy 40 million little innocent babies, we make God mad. I really believe that the pagans, and the abortionists, and the feminists, and the gays and the lesbians who are actively trying to make that an alternative lifestyle, the ACLU, People For the American Way--all of them who have tried to secularize America--I point the finger in their face and say 'you helped this happen.'"

PAT ROBERTSON: "Well, I totally concur, and the problem is we have adopted that agenda at the highest levels of our government. And so we're responsible as a free society for what the top people do. And, the top people, of course, is the court system."

JERRY FALWELL: "Pat, did you notice yesterday the ACLU, and all the Christ-haters, People For the American Way, NOW, etc. were totally disregarded by the Democrats and the Republicans in both houses of Congress as they went out on the steps and called out on to God in prayer and sang "God Bless America" and said "let the ACLU be hanged"? In other words, when the nation is on its knees, the only normal and natural and spiritual thing to do is what we ought to be doing all the time--calling upon God."

PAT ROBERTSON: "Amen"

Conference: Critical Ethnic Studies and the Future of Genocide: Settler Colonialism/Heteropatriarchy/White Supremacy

Critical Ethnic Studies and the Future of Genocide:
Settler Colonialism/Heteropatriarchy/White Supremacy

A Major Conference
March 10-12, 2011 (NOT 2010)
University of California, Riverside

Jacqui Alexander·Keith Camacho·Cathy Cohen·Glen Coulthard·Angela Davis·Gina Dent·Vicente Diaz Roderick Ferguson·Ruth Wilson Gilmore·Gayatri Gopinath·Avery Gordon·Herman Gray·Judith Halberstam Sora Han·Cheryl Harris·David Lloyd·Lisa Lowe·Wahneema Lubiano·Manning Marable·Fred Moten José Muñoz·Nadine Naber·Hiram Pérez·Michelle Raheja·Dylan Rodríguez·David Roediger·Luana Ross Josie Saldaña-Portillo·Ella Shohat·Denise da Silva·Audra Simpson·Nikhil Singh·Andrea Smith·Neferti Tadiar João Costa Vargas·Waziyatawin

CALL FOR PAPERS

Ethnic studies scholarship has laid the crucial foundation for analyzing the intersections of racism, colonialism, immigration, and slavery within the context of the United States. Yet it has become clear that ethnic studies paradigms have become entrapped within, and sometimes indistinguishable from, the discourse and mandate of liberal multiculturalism, which relies on a politics of identity representation diluted and domesticated by nation-building and capitalist imperatives. Interrogating the strictures in which ethnic studies finds itself today, this conference calls for the development of critical ethnic studies. Far from advocating the peremptory dismissal of identity, this conference seeks to structure inquiry around the logics of white supremacy, settler colonialism, capitalism, and heteropatriarchy in order to expand the scope of ethnic studies. An interdisciplinary or even un-disciplinary formation, critical ethnic studies engages with the logics that structure society in its entirety.

As ethnic studies has become more legitimized within the academy, it has frequently done so by distancing itself from the very social movements that helped to launch the field in the first place. Irrefutable as the evidence is of the university's enmeshment with governmental and corporate structures, the trend in ethnic studies has been to neutralize the university rather than to interrogate it as a site that transforms ideas into ideology. While this conference does not propose to romanticize these movements or to prescribe a specific relationship that academics should have with them, we seek to call into question the emphasis on professionalization within ethnic studies and the concomitant refusal to interrogate the politics of the academic industrial complex or to engage with larger movements for social transformation.

We invite panel and individual paper submissions on a wide range of topics that may include but are not limited to the following:

• Settler colonialism and white supremacy
• Critical genocide studies
• Queering ethnic studies
• Heteropatriarchy
• Ethnic studies and un-disciplinarity
• Professionalization, praxis, and the academic industrial complex
• Decolonization and empire
• Social movements and activism
• Multiculturalism and colorblindness
• Critical race studies
• Liberationist epistemologies
• Critical ethnic studies and its relationship to other fields
  

We encourage submissions of traditional academic conference paper and panel formats, as well as alternative, creative, collaborative, and site-specific presentations, workshops, roundtables, etc. from academics, independent scholars, artists, cultural producers, activists, community workers, and others.

Please submit individual paper abstracts (250 words) along with a 1-page CV that includes contact information. If submitting a panel proposal, a panel abstract (250 words) should also be included.

Deadline for submissions: June 1, 2010
Email submissions to: criticalethnicstudies@gmail.com
All conference participants will need to register at: http://www.ethnicstudies.ucr.edu/